0000008514 00000 n ISBN: Category: Art. Connecting that history to the present with an epilogue on the World Trade Center, Monuments and Memory, Made and Unmade is pertinent not only for art historians but for anyone interested in the turbulent history of monuments—a history that is still very much with us today. Structured around an examination of key texts by major contemporary critics, including Tim Clarke, Griselda Pollock, Fred Orton, Albert Boime, Alan Wallach and Laura Mulvey, each chapter discusses a key moment in the discipline of art history, tracing the development and interaction of Marxist, feminist and psychoanalytic critical theories. Spanning a diverse range of time periods and places, the contributions cumulatively showcase ways in which ongoing dialogue between history and art history raises important aesthetic, ethical and political questions for the disciplines. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Read Critical Terms For Art History online, read in mobile or Kindle. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. x�c```c``z�����i� �� 6P����5�\ F"I�@1�(���0h'��F-5e = �� endstream endobj 30 0 obj 73 endobj 17 0 obj << /Type /Page /Parent 16 0 R /MediaBox [ 0 0 397 585 ] /Resources 18 0 R /Contents 20 0 R >> endobj 18 0 obj << /ProcSet [ /PDF /Text /ImageB ] /Font << /F6 23 0 R /F4 24 0 R /F1 25 0 R /F2 26 0 R /F0 27 0 R /F5 28 0 R >> /XObject << /im1 22 0 R >> >> endobj 19 0 obj 462 endobj 20 0 obj << /Length 19 0 R /Filter /FlateDecode >> stream She also discusses the relationship of Art History to related disciplines including film, literature, design history and anthropology. While in the past artistic styles were always inflected with signs of their modernity, today biennales and art markets are defined by the next big thing, the next sensation, the next new idea. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. "Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp’s Fountain. This book undertakes a critical survey of art history across Europe, examining the recent conceptual and methodological concerns informing the discipline as well as the political, social and ideological factors that have shaped its development in specific national contexts. Co-Editor with Richard Shiff, Critical Terms for Art History, 2nd edition (Chicago: University of Chicago Press, 2003). %PDF-1.2 %���� Co-Editor with Paul Magdalino, The Old Testament in Byzantium (Washington, D.C.: Dumbarton Oaks, 2010). 0000011760 00000 n The volume fosters a methodological awareness that enriches exchanges across these distinct fields of knowledge. To support your analysis, you must build rational and convincing arguments, hence developing your critical thinking. This edition published in 2002 by University of Chicago Press in Chicago, IL. This Handbook is a landmark academic collection that presents cutting-edge interpretive perspectives on medieval religion for a wide academic audience, drawing together thirty key scholars in the field from the United States, the UK, and Europe. (e.g. 0000000748 00000 n The Oxford Handbook of Medieval Christianity takes as its subject the beliefs, practices, and institutions of the Christian Church between 400 and 1500AD. Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale-killings in the Pacific Northwest serve to represent and negotiate time. Art In Its Time takes a close look at the way in which art has become integral to the everyday 'ordinary' life of modern society. View: 908. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Critical terms for art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. This innovative book will be of interest to scholars in art history, cultural studies, history, visual culture and historiography. 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